By Amale Andraos, Dan Wood, Winy Maas, Fritz Haeg
Forty years after French protestors took to the streets with the rallying cry Sous les pavs, l. a. plage! (Beneath the pavement, the beach!), a brand new kind of radical expression took form at MoMA's P.S.1 courtyard in Queens, long island. Above the Pavement--the Farm! unearths the groundbreaking efforts of structure enterprise WORKac and their workforce of greater than a hundred and fifty collaborators--farmers, politicians, horticulturists, technicians, soil scientists, engineers, structure scholars, and artists--to create a operating city farm, hoisted 30 toes excessive, utilizing commercial cardboard tubes choked with greater than 50 forms of in the community grown vegetables and fruit. known as Public Farm 1 (P.F.1), this new breed of sustainable infrastructure, in a position to producing its personal strength, recycling rainwater, cultivating vegetation, and inspiring relaxation, verified that even the main impossibly utopian visions of eco-friendly urban dwelling are inside our reach.
Above the Pavement--the Farm! offers a tasty diversity of rules and matters located on the intersection of structure, urbanism, and meals. that includes a full of life mlange of voices depicting the making of P.F.1--with contributions through artist and agricultural activist Fritz Haeg, architectural historian Meredith TenHoor, architect Winy Maas, and head chef Michael Anthony of latest York City's Gramercy Tavern--this publication introduces a brand new period of ecological considering and concrete sustenance.
Amale Andraos and Dan wooden are the founders of latest York City-based paintings structure Company.
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Extra info for Above the Pavement - the Farm! : Architecture & Agriculture at P.F.1
You pour concrete into it, and the tube prevents it from expanding out. It functions in pure tension. So what we said was, if we could capture that property and use it in reverse—as a compression ring—we could utilize the material better. If you have a circle like this and you push on two sides, it collapses pretty easily. So the daisy was critical structurally to make sure that all forces were uniformly distributed around the ring. The idea of having contact between tubes is very important to the function of the structure.
Dan Sesil: I’ve never been one to approach design as a moment of inspiration; I view it as a journey. I also feel that you have to be able to voice your opinions. I can’t just be the engineer, where the architect says, this is 41 now we have to build it mine, go off and structure it. To me, it’s a conversation, and the projects are better for it. Anna Kenoff: We researched examples of these tubes being used. Shigeru Ban has used them in architectural projects, but we were working on such a different scale.
They got back to me not too long after that, and we formed a real relationship. Melani Pigat: So there we were in a huge city, trying to start a farm in the winter. We were going to grow all of the plants in the prison, but the greenhouse wasn’t big enough. Michael contacted us; he offered us space in his greenhouse and help to grow the rest of the plants. There’s no way we could have done all that on our own. We didn’t have the space, let alone the expertise— luckily, he found us. Michael Grady Robertson: People here were really eager to get involved and be associated with the project.