By Bruckner, Anton; Floros, Constantin; Bernhardt-Kabisch, Ernest; Bruckner, Anton
Whereas unappreciated and arguable in the course of so much of his existence, Anton Bruckner is at the present time considered as the best symphonist among Beethoven and Gustav Mahler - by way of originality, boldness and monumentality of his tune. a twin of Bruckner the guy, despite the fact that, continues to be severe example of the tenacious energy of prejudice. No much less a determine than Gustav Mahler coined the aperçu approximately Bruckner being «a simpleton - part genius, part imbecile». the writer is out to right that misperception. His thesis during this examine is that opposite to what has hitherto been asserted, there's an intimate relation among Bruckner’s sacred song and his symphonies from a number of views: biographical info, resources and affects, the psychology of production, musical constitution, modern testimony and reception historical past. extra chapters verify vital Bruckner recordings and interpreters and the progressiveness of his track
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Additional info for Anton Bruckner: The Man and the Work. Translated by Ernest Bernhardt-Kabisch
Thus we read in a letter of June 6, 1859: “I am already greatly looking forward to seeing you again, since I have no such friend here. ”8 He greatly esteemed Weinwurm’s “noble heart” and was ecstatic when he learned that Weinwurm returned his amicable feelings. When he was at Bad Kreuzen, his friend sought to console him in a letter, which unfortunately has been lost. Deeply thankful and moved, Bruckner replied on July 15, 1867: If it can be a balm of life for any man to have a true friend, I in my situation surely gain a thousand-fold from it!
2 Instruction in organ he received once again from Anton Kattinger in St. Florian, who upon his leaving gave him a splendid reference. During his many years at St. Florian, Bruckner had ample opportunity to acquaint himself with sacred music from the late Renaissance through the Romantic period. His own early work is both voluminous and varied and is revealing for his later oeuvre. Chief creations in the years between 1843 and 1855 include a Requiem in D minor (WAB 39) on the death of one of his supporters, the court scribe Franz Sailer, and a Missa Solemnis in B flat minor (WAB 29), composed in 1854 for the solemn investiture of the newly elected prelate Friedrich Mayer, who was welldisposed toward Bruckner.
Another death that greatly upset him was that of his confirmation godfather, friend and teacher Johann Baptist Weiß, who at the age of barely 37 committed suicide in the cemetery of his native village of Hörsching. All his life Bruckner had a considerable penchant for dead bodies and funeral processions, skulls and exhumations, jury trials and sensational happenings generally. ” The term necrophilia, however, is inappropriate here, as, strictly speaking, it signifies a perverse sexual desire for corpses.