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Extra resources for Apple Pro Training Series: Optimizing Your Final Cut Pro System: A Technical Guide to Real-World Post-Production
However, for longer online projects like the documentary Spellbound, the planning process might be more involved. Because Spellbound is a documentary, you might have expected the workflow to begin offline, but it didn't. There were 160 hours of footage shot on DV, captured at DV25 resolution. The planning process for Spellbound may have included how best to sync the multicamera shoots during the national spelling competitions, or whether selected scenes or entire tapes were to be captured. Blocking days or planning for particular tasks can also be useful.
However, if you want an optimal system, you must go beyond the minimum requirements. Generally the computer equation depends on your needs: project size + media codec + media storage + additional components + portability + budget = correct choice. For the offline workflow of The Magic Hour project, the media codec was within the low data rate range, the storage requirements were modest (under a terabyte), it did not require capture cards, and it involved editing while traveling. The decision: laptop.
The segments can be scenes, like cinéma vérité, or individual takes a lá script style. The beginning of either a scene or a take is a natural place to begin syncing because the picture and audio probably began roughly at the same place. The method of location recording will determine how you identify sync. If the location sound was recorded with a SMPTE clapboard, or the timecode of the source video matches the timecode of the audio, then your syncing process will be more straightforward.